| shirtwork: UofI med labs |
[Jul. 9th, 2009|11:24 pm] |
January 1996. I got fired from Target, which was good as I am not naturally good at selling people shit they don't need, and so I started working custodial in Gilmore Hall, which was undergoing a lot of construction at the time, and that was a pretty easy gig: I'd check in across the way in the basement of Calvin Hall, and me and another guy (whose name I can't remember now, but he was pretty cool -- we were both "put on your headphones and zone out" types) cleaned the building. I think this was about nine until two or so, and I mostly swept/scrubbed floors and did some vacuuming classrooms, which is the stuff I like (the stuff I don't like is bathrooms and glass) and it went well for a few months while I was in school. The other big plus was I could walk to work, as I only lived a few blocks west. During this time my housing situation became unreasonable and I moved into the Riverhouse Co-op (which is now a frat) which was a mistake, I'll just say that. Anyway, this meant I lived even closer to work, so the first few months of 1996 went pretty well, writing a lot and occasionally going to class and bumming around with Kyra a lot. The guy I worked with decided he wanted more hours, so they moved me to another building across the river in the Bowen Science Building. As you can imagine, the Riverhouse Co-op was right on the river, so this was still a short walk, and ended up being a few more hours, which I was pretty happy about as the less time I spent at the co-op the better. Bowen is (I think) six stories tall, and basically each floor has its own custodian (with two custodians who only did bathrooms), which suited me pretty well as I figured I wouldn't have to work with anybody, but Dave (my boss) started me out working with an older guy until I "got the ropes". That shit sucked. I don't want to get into too many details, but the guy I worked with seemed pretty friendly so we went and did bathrooms and trash and he'd talk about whatever, so I was obligated to not wear my headphones, but what the hell. After a while he said it was time for a break, and you don't need to tell me twice about taking a break, so we're sitting down in one of the offices and he starts talking about how he thinks one of the other custodians is cute, and I kinda just say whatever, and he seems to be getting more and more into this idea, and I realize he's masturbating. This was unreasonable, and I told Dave I wasn't having it, and he gave me my own floor where I didn't have to do bathrooms. I suspect he knew this was going to happen, as he didn't seem to shocked about it.
There were a few really cool things about this job: first, I got an elevator key to go to the sub-basement, and I have a knowledge of that building that most people who work there will never have (seeing the backstage areas of a building is always awesome), and since I did recycling for my floor (which meant taking a huge blue wheeled bin in a loop around the floor and filling it with paper and magazines and slides and ephemera) which I'd rifle through before dumping it in the recycle dumpster for collage material. That said, working cleanup in a medical building has obvious downsides: I had to get OSHA trained to dispose of medical waste (don't tell my current boss I have this, as I'd like to avoid doing it at my current job) which meant taking red biohazzard bags filled with sketchy material down to the incinerator, and after the initial novelty of working the incinerator wore off this was officially the worst regular part of my job. There was some animal experimentation on my floor, and while none of it was particularly heinous it never sat well with me. That said, I did get to wax the floors of the autopsy lab a couple times, which was an interesting experience (autopsy cadavers, I discovered, have their heads and hands wrapped in gauze so they can't be identified by students), and just generally got to see all sorts of things I had never seen before, which was good prep for some of my later shitjobs like exterminator and meat packing custodial and gravedigger.
When you work custodial at a place for more than a month you start to really learn a lot about the people who work there, more than you ever really wanted to know -- remember that bit in The Breakfast Club where the janitor talks about how he knows about all the students? That's totally accurate. Most of the people were gone by the time we started, but in a lab there's always a couple people working late, and interacting with them was always interesting -- sometimes they're really overly friendly (particularly at a place like the University of Iowa, which is a pretty liberal place, so there's always people happy to converse with the proletariat), sometimes they're really pissed that you're intruding on their property (with those people I usually just didn't clean that space that night, which worked out best for everybody), sometimes they just pretend you're not there (which is fine, since that meant I could just listen to tapes -- I started making an early version of Teraphim Mystery Recording tapes around this time so I had endless drones to listen to at work). I would fight occasional boredom with pointless headtrips like organizing the pushpins in the bulletin boards in patterns or writing screwy messages on the whiteboards or putting up some of my Cult of the Yellow Sign flyers among the notices for department hirings and upcoming biology conferences, and it seems like people were generally okay with this so long as I kept it low profile.
(more soon) |
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| who is the band with the master plan? |
[Jul. 9th, 2009|10:41 pm] |
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So I keep saying that 2009 is 1975, and I think events have shaken out such to verify my prophecy (I'd like to note, for the record, that I agree with Thomas Paine: the contemporary translation "prophet" as "someone who has a dispensation from God to see the future" is inaccurate, and would be better translated as "a poet (in the time when poetry was sung)", but no time for that now) but if that's the case, I have to ask: who is the contemporary Kool And The Gang? Where are you, Kay-Gees? The generic electro-jams of Black Moth Super Boring are not cutting the mustard! A real soul band needs to rise and clear the world of hipster bullshit and get us to the roller rink! I keep trying to make music like this, but MPA is too soporific to bring the jams, and like I said before a band like this needs like fifteen members and it's a good day when I can say MPA has two. I'd join that band in a heartbeat, tho! Boogie music can always use extra drone bullshit! |
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| slurry |
[Jul. 8th, 2009|11:43 pm] |
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Ubuweb continues its archival of noise dudes with a heavy collection by throat mangler Dylan Nyoukis. |
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| TG Tour 2009 |
[Jul. 7th, 2009|04:06 pm] |
Iswari, this totally made me think of you. Peter Christopherson (Throbbing Gristle/Coil/Soisong) in his "Leonard Cohen Was Right" jacket during the TG reunion tour.
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| Rooms for Rent poly kink friendly (Davis Sqr. / Teele Sqr.) |
[Jul. 6th, 2009|04:45 pm] |
I have 2 rooms for rent in Teele Sqr. near Davis Sqr. available now.
The building is currently occupied by friends who are all DJ’s, electronic musicians, artists, performers, sound engineers, etc.
There are 3 options are available
A] $850/month + utilities = you take bedroom and living room B] $475/month + utilities = you take Approximately 9' x 11' bedroom with closet C] $575/month + utilities = you take Approximately 10’ x 11' bedroom with closet
This is the top floor of a 3 family. The bottom floor is empty and the 2nd floor has 3 men.
Leave a comment to schedule an appointment or get more info. |
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| Song of the Day: California One Youth and Beauty Brigade |
[Jul. 3rd, 2009|12:06 pm] |
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http://www.sadsalvation.com/weblog/2009/07/song-of-day-california-one-youth-and.html California One Youth and Beauty Brigade - Decemberists
And the road a-winding goes From golden gate to roaring cliff-side And the light is softly low As our hearts become sweetly untied Beneath the sun of California one
There are too many things for me to write about this song. How this is the perfect two songs stacked together to make one song. How the length of the song is carried by the dreamy nature of the tune and playing. How the song reminds me of the stretch of the California Highway One between Carmel and Big Sur. How I fell I feel in love with this song while I was traveling alone in Europe. How the first time I heard this song I play it ten times in a row. How the song strikes the perfect cord about being alone. How this song in an amazing ending to an unexpectedly good album. How I cried when I saw them play it live.
We're calling all bed wetters And ambulance chasers Poor picker-pockets, bring 'em in Come join the youth and beauty brigade
We're lining up the light-loafered And the bored bench warmers Castaways and cutouts, fill it up Come join the youth and beauty brigade Come join the youth and beauty brigade
What amazes me still is how they are calling to there listeners. They are calling to the misfits and losers of the world and saying "We are you, You are us." It caught me the very first time I heard this song. They are ending their first album by calling all their fans. it is a brilliant move.
There are lots of songs about California. I have learned that is because California is a millions different things to 40 million people. This song is about my California.
I figured I had paid my debt to society By paying my overdue fines At the Multnomah County library, at the library They said "Son, go join up go join the youth and beauty brigade" |
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| June, July. |
[Jul. 2nd, 2009|11:42 pm] |
July might just bring me to my knees.
I'm reading like I've got something to hide from, but books have never been very good shields. A book a night, every night the same in a different way. As S. studies, I stretch out on the sofa, feeling like I've lost something without quite knowing what. Is it an ability to express myself? Is it a sense of spaciousness? Have these little rooms, occupied by one too many people, diminished me?
I've been doing my best - not terribly difficult when my "best" is synonymous with my "worst" - to avoid a recapitulation of my dwindling time in San Francisco. Doing my best to avoid any sort of self-examination, really. I've accused myself too often without doling out suitable punishment. Kafka got it right, of course; the thing to be terrified of is not oneself, but the threat of someone less sympathetic.
The days follow one another mercilessly, but with smiling faces. This helps ease the occasional anguish that clouds my thoughts, that sounds an echoing reverberation through my hollow chest, that stares me in the face when I stare into the brownish blankness of the night sky. I have forgotten much here, but San Francisco has nothing to do with it. I forgot them as I came to know them. This is not to say I never knew them, for I did - intimately. But I never knew them as I thought I could or perhaps the way I wanted to.
* * *
At the beginning of the year, I wrote two lists on facing pages in my paper journal: one list of books I'd read, the other of books I'd bought, borrowed or stolen. Somewhat embarrassed at the immediate imbalance in favor of the latter, I gave up rather quickly. But I like lists; they provide an illusion of accomplishment. That said, the books I've read in June:
Conquest of the useless, by Werner Herzog Art & Fear, by David Bayles and Ted Orland Homage to Czerny, by Gert Jonke The Waitress was New, by Dominique Fabre Sentimental Education, by Gustave Flaubert The Witness, by Juan Jose Saer Natural Novel, by Georgi Gospodinov Story of a Shipwrecked Sailor, by Gabriel Garcia Marquez Notable American Women, by Ben Marcus Waiting for the Barbarians, by J.M. Coetzee The Tartar Steppe, by Dino Buzzati
Also, in case you were wondering what I'd look like if I impersonated Werner Herzog:
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| twitterer |
[Jul. 3rd, 2009|01:13 am] |
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I have a private twitter account for friends (friends here means people i would talk to on the phone, people who might pick me up from the mall) but since the monkey-mind will not be silenced there is now a public twitter account at TODF which is where you will find Styrofoam Nutsack (my real-time movie reviews), incoherent rambling, info on MPA/Clocksucker stuff and other goofs. It's gonna be pretty high-traffic and low-signal and it's definitely not safe for work. Or home, or on the bus, or pretty much anywhere. |
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| signal decay |
[Jul. 3rd, 2009|12:03 am] |
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No internet from house, no sleep and feeling creepy so working on Clocksucker songs as that's the proper mindset. Moved "Child Bride Suicide" to the CS album (currently titled Bottomfeeder) as it fit better alongside "Unlicensed Garbageman", "My Bran Is A Box Of Broken Glass", "Lady Holes" and "Eight Dollars Worth Of Thrift Store Knives". Will probably include a copy of the demo with Cryptonarrative. I'll try to put up an mp3 before I head to Barn Burn. |
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| review: pedestrian deposit, austere |
[Jul. 2nd, 2009|03:32 am] |
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Among noise artists there's a handful of craftsmen who keep working and honing the tapes, keep sifting signal degradation and ungrounded current and line hum, getting deeper and more experienced as years and trends fly by. I'd put Aaron Dilloway in that category, and Justin Myers, and without a doubt Jon Borges. His ear for hum, for texture and depth, is among the best, and he brings that attention to detail to every track on Austere. In the past, Pedestrian Deposit has been Borges' harsh noise project and Emaciator has been his dronier twin, but on Austere he voids that distinction, bringing us back to proper Musique Concrete. This is an astonishing album, and while there's six tracks it feels like one thick long trawl through abandoned infrastructure and decayed NYNEX trunks, lost signals like water in a drain. Easily one of the best albums I've heard this year. |
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| ana is forever |
[Jul. 1st, 2009|11:55 pm] |
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In a failed attempt to make the back pages of this lj a bit more comprehensible, I have marked all entries written by Ana Skyfish with the ana tag. There's still a bunch in a journal somewhere I need to transcribe, but I'm pretty slow on the draw lately. |
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